Monday 30 January 2017

Overstreet's Fan #7: Indy Jam Cover

Overstreet's Fan #7: Indy Jam Variant (December 1995)
Heritage Auction ends 24 February 2017

Cover layouts and inks by Gerhard, pencils by Dave Sim (Cerebus) featuring:
Chris Ware (Acme Novelty Library)
Marc Hempel (Tug & Buster), Reed Waller (Omaha The Cat Dancer)
Peter Bagge (Buddy Bradley), Jim Woodring (Frank)
Paul Pope (THB), Drew Hayes (Poison Elves)
Shannon Wheeler (Too Much Coffee Man), Bernie Mireault (The Jam)
Jana Christy (Very Vicky), Evan Dorkin (Milk & Cheese)
Terry Moore (Strangers in Paradise)

Jeff Seiler's Generosity 1/30/17

DAVE SIM:
Jeff Seiler has generously offered to send two of the four CEREBUS ARCHIVE NUMBER 6's that he (very generously!) ordered from us to two former CAN Portfolio purchasers (I believe that's Jeff's criteria: it has to be someone who has supported an earlier Kickstarter) who -- for whatever reason -- couldn't afford to get one this time around.  Actually, what he wanted to do was to "donate" them but we're really not set up for that, Jeff, I'm afraid.

If you're in that category, please put your name and e-mail address in the Comments section so that Jeff can contact you and make arrangements to send one of them to you.  First come, first served, I would guess, unless Jeff says otherwise.

And, thank you, Jeff, the moneygrams for me and Sandeep arrived.  Even though Jeff had won the auction for the BLACK ANGEL and PARTIAL BLACK ANGEL copies at $103 U.S. he sent a moneygram for $100 US for EACH of us (in line with his commitment to bid up to $200 for the comic books).

A-V's financial situation being back to the usual state of precariousness (after briefly improving just after Christmas), I'll be returning my moneygram to you as a "credit" on your last proofreading bill along with a check for the balance owing.

Many, many thanks, Jeff!

And now: "The Name of the Game is Diamondback":

Sunday 29 January 2017

Swords Of Cerebus Vol 1: The Name Of The Game Is Diamondback

The Name of the Game is Diamondback:
“I was a quarter inch off the page trying to ink very interestingly and meticulously,” says Dave.

PAUL SLADE:
Published between 1981 and 1984, Dave's six Swords of Cerebus volumes were his first attempt to collect the book in a more permanent form. He gave each story included in these volumes a prose introduction, explaining where the book stood when he’d been working on that particular issue and how he was thinking of its prospects at the time. This example's taken from Swords volume 1. Also check out the full 'Swords Of Cerebus' Introductions Index.

This story, which was laid out by Marshall Rogers from Dave's script, is the first of Swords' exclusive bonus tales, which would go on to feature Cerebus work by Barry Windsor-Smith, Gene Day, Joe Rubinstein and Gerhard.


Diamondback Card Set
(Sold Separately!)

Next week: Demonhorn... and some lousy poetry.

Saturday 28 January 2017

Carson Grubaugh's Cerebus Re-Read: "Form & Void"

Cerebus Vol 14: Form & Void
by Dave Sim & Gerhard

CARSON GRUBAUGH:
(from Carson's Re-Read Blog, August 2016)
Form & Void did not offer me much to care about in the ideas department. I have zero interest in literary classics. There are very few I have read that I gave two shits about. I think prose fiction is a dead story-telling medium. Unless you are going to give me a readable formalist like Mark Z. Danielewski, whose stories can only be understood in the context of the formal nature of a book, I would rather have a comic-book or a television show. So, imagine my disinterest in learning about an author of literature who Dave Sim doesn't even care about.

Sim despises Hemingway as an author and as a person. He proclaims at the end of the volume that he is happy to be done with having the Hemingways in his life. I felt the same way about Form and Void as a book. Happy to not have to read any more of the lengthy interpretive notes.

Had I not read the notes I would not have gotten any of the metaphor out of the lion hunt that Sim puts into it. In that sense I consider Sim's notes an essential part of the story. The volume requires the same endurance from the readers that Sim put into thoroughly researching a subject he disliked. It is possible that the whole volume was a purposeful exercise in enduring both disinterest and disdain.

As little as I care for the story in Form & Void there is a lot of interesting stuff to remark upon in the art... [Read the full review here...]


CARSON GRUBAUGH'S
CEREBUS RE-READ CHALLENGE:
Cerebus Vol 15: Latter Days
Cerebus Vol 16: The Last Day

(Belated) Happy 46th Birthday, Sandeep Atwal!

D'oh! It was Sandeep's birthday on 24 January! 
Go read Sandeep's "I Knew Dave Sim..." article and visit his Malcolm X blog!

Friday 27 January 2017

Collecting 'Following Cerebus'


JEFF SEILER:
Today’s entry is certainly a little different. The first is a handwritten fax from Dave to me that is dated October 2, 2008, with a copy sent to Craig Miller (former publisher of “Following Cerebus”), which addresses my fax to Dave regarding the lengthy delay in Craig putting out the 12th issue “Following Cerebus”. In my fax to Dave, I told him that I would be willing to help him get the articles laid out and printed:

Hi Jeff--
Craig has pretty much sole custody/sole responsibility for Jennifer... My best guess is that it’s pretty much futile (for that reason) to discuss FC until Jennifer starts kindergarten (which I think is another year or two away)... Until then, Craig isn’t going to have time for anything else besides rearing (not raising) Jennifer.

You could suggest doing the Collected FC #1-11 -- that is, doing all the work on it with a team of volunteers but that decision is up to Craig and John. FC is their magazine and has been from the beginning.

Putting the magazine together is the fun part so I doubt Craig would be interested, after doing all of the heavy lifting on #12, to let someone else put the last three pieces in the jigsaw puzzle.

Best,
Dave

CC: Craig Miller

+++++++++++++++++++++++++++++++++++++++

The second is a handwritten fax from Dave to Craig, with a copy sent to me, dated October 10, 2008:

Hi Craig--
The way the direct market is set up the only sales you are going to get is on "fresh meat", i.e., what you’ve solicited in this month’s PREVIEWS. There is virtually no back issue market anymore. Over a decade or so, once you have something on the STAR system, you can get on the retailers’ short list of perennial sellers they constantly reorder, but to get on that list you have to be reliable, which FC hasn’t been. Issues 1 to 10 or issues 1 to 11 as an omnibus collection might get on that list, as I say, over the course of a decade or so.

The only permissions you would need to get is for material you paid for: Joe Bob Briggs, period. It’s the Internet Age, Craig, and FC is a fanzine. No one is going to cause a stink and if they do you cut them a cheque when they come whining.

It isn’t complicated at all and I’m sure the Yahoo volunteers would be glad to provide assistance to make it happen.

Dave

CC: Jeff Seiler -- you can post this if you want.

Weekly Update #167: Introducing The Cerebus Stamp... Briefly...


Dave shows of a sample of a Cerebus stamp from Canada Post... but not for very long.

Thursday 26 January 2017

Cerebus In Hell? -- Week 31

Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com

Wednesday 25 January 2017

Meeting F. Stop

MARGARET LISS:
A few years ago I scanned all of Dave Sim's notebooks. He had filled 36 notebooks during the years he created the monthly Cerebus series, covering issues #20 to 300, plus the other side items -- like the Epic stories, posters and prints, convention speeches etc. A total of 3,281 notebook pages detailing his creative process. I never really got the time to study the notebooks when I had them. Just did a quick look, scanned them in and sent them back to Dave as soon as possible. So this regular column is a chance for me to look through those scans and highlight some of the more interesting pages.

We've looked at Dave Sim's notebook #29 six times already (see Dave Sim's Notebooks: The Overview entry for the listing of them), but we've never the cover for it. Notebook #29 covers Cerebus #240 through #250 and had 150 pages scanned out of the 300 pages in the notebook, with 134 blank pages and 11 missing pages.

And if you were guessing the cover would be a blue Hilroy, you would be correct:

Notebook #29 front cover
Page one of the notebook has a small partial sketch of Cerebus crossed out and the text 'BOOK TWO' with an arrow beside it saying 'footlight light italic' and underneath that 'FALL AND THE RIVER' with an arrow beside that text saying 'footlight light'. Page two then has the quotes from Groucho Marx that appear on page 168 of Going Home (aka page 2 of Cerebus #240).

Then on page three, the full page outlines appear:

Notebook #29, page 3
The backgrounds are just pencils and the figures are inked. Overall it looks pretty close to the completed page. The finished page's middle panel puts F. Stop more in the activity of the dock as opposed to standing outside of it. The bottom row of panels also incorporates another panel of F. Stop instead of the two shown on the notebook.

Going Home page 169 (Cerebus #240, page 3)
There are some other minor changes - items moved, added, or subtracted in the background of the second panel and F. Stop's haircut change and his different tie.

MINDS update, question

Sean Michael Robinson:

Hello all,

A quick update on Minds:

I've completed about 240 pages of the work for the book, and all that remains are the pages sourced from negative "copydot" scans and print copies, which I'll be tackling after the layout stage.

Unfortunately,  I have an incomplete set of facts (actual facts, which I prefer to alternative ones) regarding previous printings. Cerebus collector extraordinaire +Nate+, who maintains a list of printings of the different books, accounts for four printings of Minds in total.

First printing: (limited signed and numbered) June 1996
Second printing: June 1996
Third printing: June 1998
Fourth printing: August 2001

However, the copydot scans that are all that remains of the original negative, were scanned by Lebonfon and have file dates of 10/23/2008, suggesting to me that there was a Lebonfon printing of this book sometime after this date.

SO! Do any Cerebus fans out there have a copy of a (labeled on the inside) FIFTH printing of Minds? If so, does it say Lebonfon on the interior?

Thanks bigly!

Edit: Solved!


Edit the Second: Cerebus Volume One, the SUPER SPECIAL REMIXED REMASTERED WITH ENHANCED BASS version is at Diamond now and available to order from your local comic store! And man o man o man, does it look good. Months of work plus impeccable printing by Friesens of Manitoba plus really anal-retentive proofreading and 6,500 page afterward= the best book of this project yet. Let me know what you think once you've picked up a copy!

Monday 23 January 2017

My LCS: Cave Comics

57 Church Hill Rd. Newtown CT. 06470 USA

JIM SHERIDAN:
The photo I sent you of a sketch of Cerebus as Batman was taken at Cave Comics in Newtown, CT. This is a store that has been around since 1989 and even just built a new building next to the old one, which is a good sign. I have purchased most of my Cerebus, Glamourpuss, and also back issues of Epic comics there. Judenhass too.

The owner loves Batman, and Cave Comics has a nice collections of sketches from different artists offering their vision of the Caped Crusader. There is a Bernie Wrightson one, a Michael Kaluta one, a John Byrne one, a Walt Simonson one, and of course Dave's! It LOOKS like Dave was working with a pastel or chalk pencil rather than the usual sort.

Here is a link to Cave's website. The photos it has of the interior are of the new building. The wall of sketches had not been fully set up at the time they put the pictures on the website; you can see the wall behind the cash register looks empty in those photos, but now, that is where the Cerebus Batman hangs, staring you down as you stand at the cash register. 

Does your Local Comics Store support Cerebus? Want to see it featured on AMOC?
Send your photos and anecdotes to: momentofcerebus [at] gmail [dot] com

Sunday 22 January 2017

Swords Of Cerebus Vol 1: Cerebus #4



PAUL SLADE:
Published between 1981 and 1984, Dave's six Swords Of Cerebus volumes were his first attempt to collect the book in a more permanent form. He gave each story included in these volumes a prose introduction, explaining where the book stood when he’d been working on that particular issue and how he was thinking of its prospects at the time. This example's taken from Swords volume 1. Also check out the full 'Swords Of Cerebus' Introductions Index.

I particularly like this intro for Dave's remarks about one day doing a story "with Cerebus, Elrod and Lord Julius locked in a closet" which would "write itself". I dare say he was just joking about this idea at first, but the thought evidently stuck in his mind. June 1983's Cerebus #51 trapped the three characters (together with Duke Leonardi and the Priest Roach) in a cramped ship's hull rather than a closet, but the core idea remains the same. Just as Dave hints here, their dialogue and constant bickering in one unchanging location proved more than enough to carry the story unaided. The result was one of the funniest issues in the book's whole run, and we can see the seeds sown for it here.



A panel from Cerebus #4:
"It was the most popular issue I had done to that point," says Dave.
"Everyone I talked to suddenly developed a Foghorn Leghorn voice and spewed my own writing at me."

Next week: Marshall Rogers and Diamondback. 

Saturday 21 January 2017

SDOAR: Inks

CARSON GRUBAUGH:
Two bridging sequences down, three to go.

Here is a finished page from the sequence that ties issue 1 to issue 2.
As I mentioned over at Dave's Patreon site, where all of the progress is being posted as it happens, this page was particularly difficult because I had to re-create one of Dave's more teeny-tiny-line intensive drawings from Glamourpuss at a 50-60% reduction in size, and, figure out how to get it to merge with the figure in front of it with some kind of photo-negative'ish effect. Not sure if I pulled off the merge effect as well as it could be done, but I do think I managed to preserve most of Dave's details, even with the size reduction. I jokingly told Dave a while back that my goal is to give Sean a headache when he preps these for reproduction. Not sure if I have gone that deep into the page yet but I am on my way!



Also of note, because it will have an effect on the time I can spend with the pages, I was given a third class for the semester at the last minute (Yay $ and CV lines). It is a T-Th class, which were days I had set aside for SDOAR, so that is going to slow down the finishing rate a bit. Hopefully not dramatically.

Carson Grubaugh's Cerebus Re-Read: "Going Home"

Cerebus Vol 13: Going Home
by Dave Sim & Gerhard

CARSON GRUBAUGH:
(from Carson's Re-Read Blog, August 2016)
...This book also has the most god-awfully ugly art in the whole series. Immediately after reading the book, and determining that I hated Gerhard's contribution to the volume, I started seeing people over on A Moment Of Cerebus comment that it is their favorite Gerhard volume. "Great," I thought, "now I am really going to have to defend myself. So, bear with me as I explain my averse reaction to Gerhard's art in Going Home.

Gerhard is THE best draftsman of architecture in comics; François Schuiten being the only artist I can think of that can give him a run for his money. There is no doubt that when it comes to drawing buildings and putting linear perspective to use Gerhard is gangster-status.

Unfortunately this does not translate to an ability to draw nature. Buildings look good when you draw them bound by solid outlines that do not vary in weight. Buildings are, by definition, artificial. When you draw nature, this same approach of containing the object in a single outline and then "coloring" it in with perfectly straight hatching lines, does not work so well. Everything looks flat, like a bunch of cut-out/sticker/appliqué graphic-icons of corn, flowers, trees, etc. The images are detailed as ever, yes, but they feel fake, collaged. There is just no depth... [Read the full review here...]

CARSON GRUBAUGH'S
CEREBUS RE-READ CHALLENGE:
Cerebus Vol 14: Form & Void
Cerebus Vol 15: Latter Days
Cerebus Vol 16: The Last Day

Friday 20 January 2017

Krazy Instructions


JEFF SEILER:
Today's entry is a reply from Dave after I sent him an article about Great Britain granting Shariat courts jurisdiction over Muslims in Great Britain, followed by a London Times editorial saying that "jurisdiction" was going a bit far but that the Shariat courts nevertheless exercise great pressure in the lives of Muslim citizens of Great Britain, such as pressuring Muslim women in one case to withdraw their complaint about not receiving an equal share as their brothers in their inheritance.

In the same letter to Dave, I mentioned that Edward Howard was doing a blog about the most important American comic strips in history. I mentioned that Howard had blogged about Krazy Kat and asked Dave where it was in Cerebus that he had done an homage to Krazy Kat. 

His handwritten reply by fax came on September 23, 2008:

--First, we have to figure out if there's a uniformity to Shariat law -- I'd be willing to guess there's a wide variety (Persian, Indonesian, Saudi, Shiite, Sunni, etc.)

--The Koran is very specific on inheritance but perplexing in its specificity (i.e., parents inherit from deceased children in priority over the deceased’s children -- from what I understand, this has been "glossed" in Islam in the same way that the Talmud "glosses" the Torah. If it's a crazy instruction then the entrenched priesthood finds a circuitous crazy argument to get around the specificity and the question is never revisited -- i.e., Shariat law specifies that children inherit from parents in direct contravention of what the Koran specifically says.

--My own view is that crazy instructions (in Christianity "Sell all that thou hast and give the money to the poor", if you would follow the Synoptic Jesus -- in Judaism "Stone to death someone caught gathering sticks on the Sabbath") are YHWH-inspired tests to prove men are evil allowed by God for that reason and that God is winning his point: You can't make men do something wrong over the long term just by telling them it's a direct instruction from God.

Dave

[Dave also noted that his Krazy Kat homage was page 122 of Going Home.]

And then Dave included a photocopy of pages 45 and 46 of (presumably) his copy of the Koran, noting: Hi Jeff -- The relevant texts from Sura IV "Women". Dave He bracketed verses 12, 13, 14, and 15.

With regard to your children, God commandeth you to give the male the portion of two females; and if they be females more than two, then they shall have two-thirds of that which their father hath left: but if she be an only daughter, she shall have the half; and the father and mother of the deceased shall each of them have a sixth part of what he hath left, if he have a child; but if he have no child, and his parents be his heirs, then his mother shall have the third: and if he have brethren, his mother shall have the sixth, after paying the bequests he shall have bequeathed, and his debts. As to your fathers, or your children, ye know not which of them is the most advantageous to you. This is the law of God. Verily, God is knowing, wise!

Half of what your wives leave shall be yours, if they have no issue; but if ye have issue, then a fourth of what they leave shall be yours, after paying the bequests they shall bequeath, and debts.

And your wives shall have a fourth part of what ye leave, if ye have no issue; but if ye have issue, then they shall have an eighth part of what ye leave, after paying the bequests ye shall bequeath, and debts.

If a man or a woman make a distant relation their heir, and he or she have a brother of a sister, each of these two shall have a sixth; but if there are more than this, then shall they be sharers in a third, after payment of the bequests he shall have bequeathed, and debts, [and it finishes in verse 16:]

Without loss to any one. This is the ordinance of God, and God is knowing, gracious!

Tending The Flock (of Words)

JEFF SEILER:
Some time back, Dave asked me to give periodic updates about how I go about making my decisions on "iffy" points of proofreading. Usually, the proofing decisions are pretty straightforward--misspellings, P’s that look like D’s, Y’s that look like V’s, the occasional L and I that look like a U, etc. But, every now and then, I get a real gem that takes some actual investigation (research) and lets me, Dictionary Lad, delve deeply into the realm of Webster, et. al. (I utilize the Oxford English Dictionary, Abridged, nowadays, since that is what Dave said that he uses.)

My current project is the proofing of Church & State II (or, as I like to call it, “hurch tate”--seriously, look at the cover!). After proofing about two-thirds of it, I have found two beautiful little gems, which I am now going to share with you AMOCers by transcribing my handwritten notes (which will ultimately go to Sean, in San Diego, and to Dave). Thus:

Page 718, panel 2, balloon 3, lines 3, 4, 5:
Okay, from what I can tell (not being a doctor), these three words don’t belong together. From what I can tell, there is such a thing as UREMIC SYNDROME, which can lead to kidney (or, renal) failure. But, UREMIC FAILURE is not, technically, a medical term. Also, uremic syndrome would most likely not be ACUTE but would, instead, be chronic. Technically, kidney (or, renal) failure could be acute but more likely would be the result of a chronic condition. If you choose to replace these words (and are able to), I would go with just ACUTE KIDNEY FAILURE.

Table of contents, Chapter 31, second word:
The American astronauts (and the collected scientists involved) named the landing spot for the first assault on the moon Tranquility Base (one L). So, I think you should have left it at one L, not two. Still, I can see how it would be difficult to change the lettering on page 1,201. And, I see how you cheated the issue by naming the chapter “BASE TRANQUILLITY” (two L’s), thereby being able to retain the good, ol’ OED spelling.

I think this (and ACUTE UREMIC FAILURE) deserves an entry on AMOC. About my process; as you requested, Dave.

Weekly Update #166: Tales From The Wedding Present Redux


This week, Dave checks out a bunch of comics, including Tales From The Wedding Present!

Thursday 19 January 2017

Cerebus In Hell? -- Week 30

Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
 Read CEREBUS IN HELL? daily at CerebusDownloads.com
Read CEREBUS IN HELL? daily at CerebusDownloads.com


Wednesday 18 January 2017

Sketching the Countess

A few years ago I scanned all of Dave Sim's notebooks. He had filled 36 notebooks during the years he created the monthly Cerebus series, covering issues #20 to 300, plus the other side items -- like the Epic stories, posters and prints, convention speeches etc. A total of 3,281 notebook pages detailing his creative process. I never really got the time to study the notebooks when I had them. Just did a quick look, scanned them in and sent them back to Dave as soon as possible. So this regular column is a chance for me to look through those scans and highlight some of the more interesting pages.

Covering Cerebus issues #52 to 59, Dave Sim's notebook #6 (previously titled #3 due to the Albatross named notebooks) had 158 pages scanned of which we've seen twelve pages already in five different entries. We've never seen the front cover because there wasn't one. It must've been that well used.

This week we'll take a look at three pages that fall near the end of the notebook and contain sketches of the Countess Michelle:

We really don't see the Countess lounging around like this:

Notebook 6, page 140
Notebook 6, page 141
Notebook 6, page 143
I like the sketch of the Countess taking a nap, looks like it was sketched from a live model.

Monday 16 January 2017

On Sale 15 Years Ago: Cerebus #274

Cerebus #274 (January 2002)
Art by Dave Sim
Photos by Ken Sim, Cover Technician Chris Verhoeven

Diamond Order Code: OCT140536

Sunday 15 January 2017

Swords Of Cerebus Vol 1: Cerebus #3


PAUL SLADE:
Published between 1981 and 1984, Dave's six Swords Of Cerebus volumes were his first attempt to collect the book in a more permanent form. He gave each story included in these volumes a prose introduction, explaining where the book stood when he'd been working on that particular issue and how he was thinking of its prospects at the time. This example's taken from Swords volume 1. Also check out the full 'Swords Of Cerebus' Introductions Index.

Frank Thorne, who Dave discusses here, drew Marvel's Red Sonja comic in the late 1970s. He went on to create Ghita of Alizarr, his own female warrior, for the Warren magazine 1984




A panel from Cerebus #3:
"I was trying to do Frank Thorne's Sonja, inked like Barry Smith does,
only more hair and aw nuts it doesn't look like anything," says Dave.

Next week: The arrival of Elrod. 

Saturday 14 January 2017

Carson Grubaugh's Cerebus Re-Read: "Rick's Story"

CARSON GRUBAUGH:
(from Carson's Re-Read Blog, August 2016)

"You heard it here, everyone, "evil misogynist" Dave Sim made my mom cry."
 


CARSON GRUBAUGH'S
CEREBUS RE-READ CHALLENGE:
Cerebus Vol 13: Going Home
Cerebus Vol 14: Form & Void
Cerebus Vol 15: Latter Days
Cerebus Vol 16: The Last Day